Being married and having a baby has opened her up to criticism and she’s speaking directly to her critics in this song when she says she’s not “just his little wife,” she’s still a force to be reckoned with. So she’s saying “bow down” to women in and outside of the industry who disrespect that legacy of hard work and her current place. And as one of the most successful female artists in the world, she has earned her place as an icon. But what she shows with the intro footage of GIRLS’ TYME in which she was performing at age 9, she’s worked incredibly hard to get where she is today. In this song, it’s fairly obvious that she’s referring to female critics: “when you were little girls, you dreamt of being in my world.” When she says “in my world,” she could be referring to the music industry or her world of hyper-luxury: private jets, fancy restaurants, traveling the world, yachts, designer clothes, and all the other “perks” that go along with be a world-famous entertainer. The judges give champion Skeleton Crew four stars!Ī perfect score, the challenger, Girls' TYME, receives three stars! Political, and economic equality of the sexes We teach girls that they cannot be sexual beingsįeminist: the person who believes in the social We raise girls to see each other as competitors I'm about that H, town, coming coming downīut why do we teach girls to aspire to marriage H, Town, Town, I'm coming down, coming downīow down, bitches, bow bow down, bitches (crown) I'm coming down, drippin' candy on the ground Welcome, Beyoncé, Lativia, Nina, Nicky, Kelly and Ashley The five higher-grossing engagements range from a six-night stay at London’s Wembley Stadium for Coldplay to Harry Styles’ 15-show mini-residency at New York’s Madison Square Garden."Your challengers are a young group from Houston And like its parent tour, it reaches its all-time status with brevity. Like the tour it was a part of, it’s the biggest reported Boxscore for a woman, Black artist and American soloist. That makes it the sixth-highest grossing engagement in Boxscore history. (Los Angeles area), earned $45.5 million and sold 156,000 tickets. Three shows at the SoFi Stadium in Inglewood, Calif. In all, the North American leg earned $438 million, alone enough to break the global touring records referenced above. and Canada averaged $12.5 million each night. Though those averages were already the highest of any leg of any Beyoncé tour, (much) bigger business awaited across the pond. (Previous reports cited $154 million, but official numbers have since been adjusted.) That evens out to $6.8 million and just under 50,000 tickets (49,873) per show. The Renaissance World Tour earned $141.8 million and sold more than a million tickets from 21 shows in Europe. In speeding to the all-time top 10, Beyoncé maintained a breathtaking pace from May through October. Official numbers have yet to be reported for The Eras Tour, but it’ll likely join the Renaissance World Tour in this vaulted space. Coincidentally, Beyoncé and Swift have shared a very bright spotlight this year, as their concurrent treks have dominated headlines and boosted economies. The next highest one-year earner is Taylor Swift’s Reputation Stadium Tour, which brought in $345.7 million in 2018. The Renaissance World Tour averaged $253 a ticket, allowing grosses to bloom quicker than her fellow all-time leaders. Post-pandemic-era ticketing practices such as dynamic pricing and primary market resale have allowed fan demand to push an artist’s market value higher than ever before. At 56 shows, it played for roughly half the length of all-timers by Coldplay, The Rolling Stones and U2 about one fifth of Ed Sheeran’s The Divide Tour and one sixth of Elton John’s Farewell Yellow Brick Road Tour. In fact, the Renaissance World Tour is the only one among the all-time top 10 to take place within one calendar year. Notably, those tours ran for four years and three years, respectively. She’s barely blocked by Guns N’ Roses’ Not in This Lifetime… Tour, which earned $584.2 million from 2016-19, and ahead of The Rolling Stones’ A Bigger Bang Tour, which brought in $558 million from 2005-07. 30.ĭoubling her previous peak – already a towering high that topped Boxscore’s 2016 year-end round-up – and digging deep into the record books, Beyoncé breaks the top 10 highest grossing tours of all time, hitting No. In the interim, The Weeknd’s ongoing After Hours Til Dawn Tour has slid in the middle, with a gross of $305.9 million as of Sept. Among Black acts, she replaces herself atop the heap, exceeding The Formation World Tour’s 2016 gross of $256.1 million by a margin of 2.26 to 1. Billboard Boxscore Top 10 Tours of All Time: Beyoncé Breaks GroundĪmong women and domestic solo acts, Beyoncé passes Madonna’s Sticky & Sweet Tour, which broke ground upon its 2009 finale with $407.7 million.
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